Whether it succeeds or fails, each project you launch is a stepping stone towards your next idea. Don’t bank so much on the success of one project that you don’t move on to the next one.
Do common things uncommonly well to set yourself apart.
Don’t force every idea to become a cash cow; leave some art just for yourself. You might still make money off of it, but don’t create it for that cause. Focus on the purity of the craft and let other endeavors (artistic or not) pay the bills.
Time spent perfecting your craft is not time wasted, and neither is time spent earning a living. Find the balance and appreciate both pursuits.
Samantha Cotterill is an award-winning children’s book author and illustrator. Rather than creating 2D illustrations, she creates intricate dioramas and photographs them for each spread. You can learn more about her process and background in her debut episode here.
Morgan asks, “Do you consider it lazy or cliche to use a book cover with text as part of the gag in an illustration?”
While this could be a workaround for a poorly designed illustration, a clever book title could also add to the plot. Play with clever ways to hint at what’s coming later in the story.
Anon asks, “My agent wants me to make graphic novels while I only want to make children’s books. I’ve told them I don’t want to do graphic novels but I feel they aren’t listening to me. What should I do?”
First, check your portfolio. If you’re getting lots of offers for a certain kind of work, it’s likely your style seems to suit that work. Consider how you could revamp your portfolio to attract more children’s book work.
Honesty with your agent is essential. Remember that they are incentivized to help you land deals and may have helpful insight into why certain projects seem like a good fit for you or how you could secure different types of work.
In the beginning of your career, there may be times when it’s wise to accept projects that aren’t your first pick. With the right attitude, you can turn these projects into growth experiences.
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